TYuZ

It is somewhat strange to read reviews about the theater and Christmas trees where there should be a description of the stop. But this is our general illiteracy. So, about the stop. The stop complex is standard. There is where to sit and take shelter from the rain. Since this is the stop of the only trolleybus turning towards the Dynamo metro, the stop is quiet and clean.

Not a bad theater, but in this new year a fairy tale about how a goat fell in love with a wolf. What is it like? What is this for? What is the hidden propaganda of tolerance? And the changing tusovka near the Christmas tree after the show is already bored.

Theater for Young People is not only a theater for young people and children, its premises can be a great place where it is convenient to hold events with a large number of participants. Yesterday I personally saw this. The celebration of the 80th anniversary of the historical faculty of the UrFU was organized here (or, as it is now officially called, the "Department" Historical Faculty of the Urals Humanitarian Institute of UrFU). The theater hall accommodated everyone who came to the festival, and it was not hard to guess, there were a lot of them. There was a theater cafe, which again brought into the atmosphere of the festive evening additional bright colors, and someone allowed to simply refresh themselves. Acoustics of the hall, in my opinion, leaves much to be desired. The scene was beautifully illuminated (although it probably did not help shooting the video). As a result, the youth of Eastfaca, who prepared a great concert program, had the opportunity to show their multifaceted creative giftedness. I made several videos that showed the individual moments of the holiday. This is my first experience of this kind and it is far from perfect. And yet I venture to show it here. As for the actual shutdown of the Theater for Young Spectators, it is, perhaps, the only phenomenon of its kind in the space of Ekaterinburg. Because it has a lot of aesthetic and memorial significance. Both are determined by two structures: first of all, the Youth Theater (he appeared here earlier) and, secondly, an Orthodox church on the opposite side of the street of Karl Liebknecht, the Temple-on-the-Blood. Both these structures simultaneously contrast with each other and supplement each other. The architecture of the theater is original. Her style I would call "game" (the term is not generally accepted, I use it "for myself"). The building of the theater consists of several "cubes", the facade is decorated with a bas-relief image of a folk-boy trumpeter and carved figures of fairy-tale characters (Pushkin's Golden Cockerel is especially striking). The platform in front of the theater is decorated not only with benches, but also with a model simulating the former realities of this place. All this is breathed by the spirit of a living fantasy of scenic action and the atmosphere of a laid-back, but skilfully directed, fun party of children's holidays that are held here. In short, the Theater for Young Spectators distracts from its everyday routine and leads to the colorful and whimsical world of art. And the Temple-on-the-Blood, monumental and all its aspiration directed upwards, reigns over the worldly vanity, solemnly and strictly recalling the enduring confrontation between Good and Evil. Quite close to these buildings is the Literary Quarter, opens in the future view of the embankment of the city pond and the cinema-concert theater Kosmos. But there are also objects more prosaic, but necessary: ​​the shoe store "Unichel" and the supermarket "Magnet". The stop itself is framed in the manner customary for the city - on both sides of the street Karl Liebknecht there are canopies made of glass fixed with a metal frame. Since there are intersected highways with active traffic, there are "traffic jams". Nothing is do it!

Wonderful

The presence of eviks